Wednesday, October 10, 2007

Vive la France! Vive Francis Poulenc!

This is an example of what an e-mail looks like that I might send out to our mailing list. It's going to be an awesome concert, whether you like soloists or choruses! You should all come! Also, note the spiffy use of the word "assay" below. That's our music director's doing!


The Boston Cecilia, with guest artist Christòpheren Nomura, baritone, and pianist Barbara Bruns, is proud to present:

Vive la France! Vive Francis Poulenc!

All-Poulenc concert

Don't miss the brilliant Boston Cecilia chorus in the first concert of their 132nd season!

On Saturday, October 20th at 8:00, music director Donald Teeters leads the chorus as they assay a wide ranging program of works mining the mystic charms and gallic wit of one of France's greatest 20th century composers, Francis Poulenc. Among the treasures to be heard in this program, Cecilia presents a major liturgical work, the a cappella Messe en Sol Majeur, Poulenc’s exalted 20th century take on that ancient Mass text—splendid and sophisticated sacred music with a distinctly French accent. Guest artist Christòpheren Nomura, baritone, one of the stars of Cecilia’s performance last April of Scott Wheeler’s opera The Construction of Boston, will be joined by pianist Barbara Bruns in a performance of two secular song cycles by Poulenc, his Banalités and the Chanson Gaillardes. Additional choral works include two major works based on poems by Paul Eluard and Guillaume Apollinaire, Un Soir de Neige and Sept Chansons. Both the Chansons Gaillardes and the Sept Chansons contain settings that explore various aspects of the human condition, bordering on the erotic in some instances.


Saturday, October 20, 2007

8:00 pm

All Saints Parish, 1773 Beacon St., Brookline


Tickets are $62, $42, $27, and $15. Call (617) 232-4540 to order by phone, or visit www.BostonCecilia.org to order tickets online.

What people are saying about the Boston Cecilia:

"Teeters led everything [works of Scott Wheeler and Virgil Thomson] with remarkable sensitivity to both text and musical architecture. And if I ever forget what a superb programmer he's been over the 39 years of directing The Boston Cecilia, remind me of this concert." Lloyd Schwartz, The Boston Phoenix

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